About

b. 1986, HK.

About Me

An overview of my experience and background in arts marketing.

Having graduated in 2009 with a Theatre & Performances Studies degree from the University of Warwick my passion for the arts took me to a role as Marketing Officer for the Theatre Royal Bury St Edmunds in 2010, leaving in 2015 as Head of Department. From 2015 - 2016 I worked for Tara Arts and managed the marketing, sales and branding strategy for the reopening of the new Tara Theatre.

Since November 2016, I have been working as a freelance Arts Marketing consultant and manager on strategy development, production and tour marketing, branding and digital strategy and implementation for producing companies and venues. Currently working as Communications Manager for the Original Theatre Company and Rifco Theatre Company, with projects for Watford Palace Theatre, ETT, High Tide, Cahoots Theatre Company, The Production Exchange, Park Theatre, Southwark Playhouse and The Other Palace. I also run the marketing module for the MA in Creative Producing at Mountview Academy of Theatre Arts and for Chris Grady’s Creative Producing Diploma and have run marketing sessions for China Plate and Edinburgh Fringe.

Since March 2020 I have worked on a number of online projects including the development of Original Theatre Online (originaltheatreonline.com) who have produced pre-recorded streamings of their stage shows The Croft, The Habit of Art, A Splinter of Ice, The Hound of the Baskervilles, The End of the Night and made-for-online productions of Birdsong Online, Watching Rosie, Apollo 13: The Dark Side of the Moon, The Haunting of Alice Bowles, Barnes’ People, Being Mr Wickham, A Cold Supper Behind Harrods, Into The Night, The Red, Originals, Stumped which have so far reached over 55,000 households in over 37 countries worldwide. I have also managed the marketing for Soho Poly’s online show DANCE, David Adkin’s online production of Rocky Road, Paper Smoker’s Diary of and Expat (Reloaded), the development of brand and marketing for Funnelwick Limb’s online stories and AR project The Chronicles of Atom and Luna and Panto Online’s online pantomime productions of Jack and the Beanstalk and Cinderella with Peter Duncan.

Over the last 13 years I have worked on numerous national tours including Dick Turpin’s Last Ride, Mansfield Park (Theatre Royal Bury St Edmunds); Three Men In A Boat, Invincible, Monogamy, Caroline’s Kitchen, Napoli, Brooklyn, The Croft, A Splinter of Ice, Being Mr Wickham, The Hound of the Baskervilles, The Mirror Crack’d (Original Theatre Company & Brits Off Broadway); The Diary of a Hounslow Girl, Hamlet (Black Theatre Live); Emma (The Production Exchange), Dishoom, Mushy: Lyrically Speaking (Rifco Theatre Company), Gutted (national tour), Still No Idea (Bunny Productions/national tour/Royal Court), The Ballad of Maria Marten (2019 & 2021/2022 and Wilton’s Music Hall) (Eastern Angles), Dracula (Jamie Clarke), Absurd Person Singular, Gaslight, Talking Heads, Abigail’s Party (Watford Palace Theatre), When The Long Trick’s Over (High Tide), Happy Meal (Roots, Touring and Traverse Edinburgh/Ed Fringe 2022) as well as London projects including Paradise of the Assassins (Tara Arts); The Dame, The Roundabout, Deny, Deny, Deny, Twitstorm, Twilight Song (Cahoots Theatre Company/Park Theatre); Hamlet (Gyles Brandreth), Secondary Victim, There or Here, Schism, Beruit, Spiral, Peter Pan, We’re Staying Right Here, Beneath The Blue Rinse, The Actor’s Nightmare, Fast, The Snow Queen, Clybourne Park, The Garden of Words, The End of the Night (Park Theatre), Ghost About The House, Bright Half Life (Kings Head Theatre), Bananaman (social media), For King and Country, The Night Before Christmas, The Rubenstien Kiss, Billy Bishop Goes To War, Indecent Proposal, Straight White Men, Yeast Nation (Southwark Playhouse), Metamorphosis (Aria Entertainment), Into Battle (Greenwich Theatre), The Sugar House (Finborough Theatre), Fanatical (Playground Theatre), Murder For Two (The Other Palace), Superblackman (Battersea Arts Centre), Midlife Cowboy and The Happy Prince (Wilde Productions), Monday Night at the Apollo (Wild Mountain), as well as marketing support for War of The Worlds (Rhum and Clay/national tour) and Wuthering Heights (China Plate and Inspector Sands/national tour). Alongside production marketing I have also managed the brand development for Bunny Productions (Lisa Hammond, Rachael Spence).


I would love to hear about your project, whatever the size or budget.


CLIENTS :

Original Theatre - rifco theatre company - Cahoots Theatre Company - The Other Palace - Mountview - Park Theatre - The Production Exchange - Watford Palace theatre - Gyles Brandreth - Dilated Theatre Company & southwark playhouse - Aegis Productions - Elphin Productions - Campling Hicks Productions - Anita Creed Productions  - Devil you know theatre - the stable & playground theatre - damien tracey productions - Julie Clare Productions - paul casey - kepow theatre - get go culture - metal rabbit - WILDE THEATRE PRODUCTIONS & MICHAEL PEAVOY - eastern angles - BUNNY PRODUCTIONS - RHUM AND CLAY & SALLY COWLING - Chris Grady - CHINA PLATE - WHOLE HOG THEATRE, JAPAN- FUNNELWICK LIMB - Matthew Linley - PETER DUNCAN - Panto Online - HIGH TIDE - Jamie clarke - david adkin - 10 to 4 productions - ARia entertainment - proud haddock - ett - roots/steven atkinson -BUSH THEATRE - TALL STORIES- Little angel Theatre - Grey Area Theatre/Big con productions - denise silvey                                                                  


Working With Me

Please see come details below regarding working styles and access needs.